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Akai Professional EWI USB |电子管乐器 MIDI 控制器带有声音库

Akai Professional(アカイプロ)

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电子管乐器控制器
USB一插即用，可连接到Mac或PC
自定义的全新管弦咏叹调播放器软件，包括管乐器声音库
多个指法模式︰萨克斯、长笛、双簧管、传统的EWI EVI 黄铜
可拆卸，吹口可用于洗碗机

产品信息

技术细节

商品尺寸

‎58.93 x 6.99 x 6.99 cm; 589.67 克

产品颜色

‎银色

制造商

‎Akai

型号

‎EWI USB

商品重量

‎590 g

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商品描述

Akai Professional EWI USB 是一种电子管弦乐器控制器，非常容易使用。我们经过数十年的管弦电子乐的经验，研发出了这款方便用户使用的实惠的产品。该仪器利用电脑生成声音。USB 接口意味着你所需要的就是附带EWI USB软件的Mac或电脑，就可以利用一套管弦乐器进行练习、表演、作曲和录音。咏叹调播放器软件专门用于EWI USB，给演奏者提供一流的控制力。具有超过75种不同的专门录制的管弦乐、音乐会乐队、爵士乐队和声音合成器配置，因其超现实的乐器声音库而闻名。EWI USB 还提供多种指法模式，包括 sax、传统 EWI、长笛、双簧管和EVI（黄铜），所以无论你是刚开始学习木管乐器的学生还是有经验的演奏者，都会发现 EWI USB很容易演奏。EWI USB 是为了打发时间而设计，而不是为了学技术。发现一个只有EWI USB管弦乐器能给您的全新的时间。

生产商提供信息

Professional Performance

Akai Professional's EWI USB enables you to enjoy the same expressive musical capabilities and control found in traditional acoustic instruments and provides an expressive, immersive platform for unrestricted creative expression. Combining multiple fingering modes (including sax, traditional EWI, flute, oboe, and EVI (brass), a raft of performance friendly touch sensitive controls and ultra-responsive mouthpiece sensors, EWI USB ensures to readily adapt to your needs whilst ensuring every subtlety and nuance of your performance is faithfully recreated.

Computer Control

With EWI USB harnessing the creative scope and unrivalled processing power of your computer is simple courtesy of a conveniently located, non-obstructive USB port and seamless plug-and-play connectivity. Connect to virtually any Mac or PC, instal the included custom Aria Player EWI USB software, and you're ready to practice, perform, create and record with a full collection of premium wind instrument sounds.

All The Sounds You Need

EWI USB's custom Aria Player software is specifically engineered for use with EWI USB, providing wind players with a premium, pro-grade sound palate and an unprecedented level of expressive control. Expertly recorded and programmed by Garritan, wind instrumentalists have access to over 75 different orchestral, concert band, jazz band, and synthesizer sound sets, all meticulously developed by a critically acclaimed software manufacturer renowned for its ultra-realistic instrument sound libraries.

Expand Your Sound

Expand your sound palate using EWI USB as a full-featured MIDI controller and open up a world of creative possibilities via any computer based plugin designed to receive MIDI data. With the advent of computer focused DAW based music production, a diverse spectrum of virtual instruments are readily available, no short-fall of sounds to expand your sonic arsenal and enhance your creative potential.

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李军红

商品不能使用怎么办请回复

2022年7月13日

已确认购买

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此商品在美国亚马逊上最有用的商品评论

美国亚马逊： 141 条评论

T. Robinson

Still frustrated (revised)

2010年10月30日 - 已在美国亚马逊上发表

已确认购买

My EWI-USB arrived early today and I spent a good portion of my afternoon and evening tinkering with it. I'm giving 2 stars and I'm also giving some thoughts to returning it. My only other wind controller experience is with my Yamaha WT-11. So I'll be using that for comparisons. Coincidentally, I bought 2 Akai products this week and both for the same reason: a midi input tool to use with Band in a Box on my laptop. The other is the Akai Pro LPK25 Laptop Performance Keyboard which I really like, but the problem is that I'm NOT a keyboard player. I do brass, woodwind and guitar/bass (and I'm actually a decent violist, but admitting that is like admitting you're a bed-wetter). So let's get to details.

Pros:
* The EWI can be configured for its default fingering system (sax subset), sax fingering, flute fingering, oboe fingering, or brass fingering. I DID try the brass fingering. There are cons to it and I'll address that below.
* You can configure latency/response on the fingerings. One of the reasons I ceased using my WT-11 for composing/arranging electronically was its tendency to glitch. When moving from C5 to B4 requires lifting the middle finger and placing the index finger. On a RL sax, your mouth and basic physics gives some tolerance in the shift. Not so the WT-11. You get either a C# or A grace note before you land on B. The EWI let's you set a deliberate lag on the transition so those glitches are reduced.
* In regard to things like setting sensitivity, it's way easier to do that with a control panel on your computer versus trying to tweak with a screwdriver on the WT-11
* The EWI is a solid bit of instrument. It does not feel like a toy and exhibits a good bit of good engineerig consideration

Cons:
* The worst thing is catastrophic failure. While testing today, the EWI would emit a note start and then just sieze up. The reset feature on the device did nothing to cure the problem. Further, it wasn't related to the software. I tested with Aria (supplied with the EWI), Band in a Box and Finale. In all cases, under no circumstances I could establish, the EWI just switched off. If I re-selected the MIDI device the problem cleared. While this is an aggravation that you can push past in the studio, there's no way I'm going to do a live performance with an instrument that shuts off without provocation.
* It's way too honking big. It's easily double the size and weight of the WT-11. I can't think of a technical reason for it to be quite so big.
* Crossing octive breaks are awful. The WT-11 had it perfect. If you're playing C5 and need to briefly move above that note to D5 to F#5 all you had to do was hold the C (actually, it worked wiht B/Bb/A) and then play D through F# on the right hand and the octave above was assumed. I tinkered with finger combinations on the EWI but got nothing other than expected half-steps.

A bit more smart was needed for this poduct. I won't give it at a 1-star becuse there ARE some redeening features.
* The brass fingering was innovative. However, no brass players are really going to wrap their minds around it. Trumpet was my first instrument and I stuck with it for years. I enabled the brass fingering mode and toyed with that for some time. It's a great example of cognitive dissonance. The right hand does the valve work for the instrument. But replacing lip and breath with and index finger on or off combined with the octave rollers is... well... I lack a proper word. I'm a very flexible person, but I just couldn't adapt to this.

5 years later
It seems my review has had some influence on the community at large. I feel badly in a way about this because of the clear effort to produce a quality device. I have a college degree in System Analysis, which is a way of saying I'm a good problem solver. As I alluded to it above, I really think the Akai engineers have tried to solve the insoluble. I cannot possibly fault them for this. After all, I like to think I can solve all problems even though I cannot.

Like the Yamaha WX-11, this is a SUPERB performance instrument. I continue to use my Yamaha in this way. However, it fails for purposes of midi transcription and arranging. This purpose of mine is well filled by other Akai products.

With the understanding that his is a performance tool, not a composer or recording tool, I am upgrading my review after long consideration.

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J. E. Grumling

EWI, not woodwind or brass instrument.

2020年11月29日 - 已在美国亚马逊上发表

已确认购买

I bought the EWI-USB on a whim a few years ago, plugged it in and noodled around a bit. Then it went on the shelf and sat until this fall when I began singing in a virtual choir. This sparked my interest in playing music again and given the current situation with COVID I thought this would be a good time to learn something new. I played trombone and brass instruments and sang in school, but never played woodwinds before. I started out with the "brass" fingering set up but realized it might be better to just learn from scratch. After checking a few web sites for fingering charts and techniques I was able to reliably play scales and finger exercises. Note that I'm running macOS Big Sur and downloaded the software from the AKAI web site. I'm pretty sure I just pitched the CD ROM that came with it. I also was able to get it to work on my iPad as a MIDI controller with Garage Band and the Moog virtual synthesizer apps. It is also recognized as a MIDI controller in Logic Pro -it took some doing but I managed to get the iPad Moog app to play into Logic using the EWI as the controller. I have not had any technical issues, it seems like it "just works."

That said, there's a pretty big learning curve to get past. And not having real lever-type keys to push means you have to be pretty deliberate with your fingering or you'll hit the wrong key, or too many. The octave rollers are really tough to get right too, especially with some fingering changes where you might have a bunch of keys down and have to release them all while rolling up or down an octave. Of course that might be because of my big fat meathooks! The other complaint, although this isn't because of AKAI, is the lack of breath controller support in virtual instruments, but the pitch-bend mouthpiece works well with most.

As usual, there are enthusiast web sites that have all the good information and would suggest checking them out before you throw it away. It probably requires a good bit of 'unlearning' if you want to play it well.

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