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美国亚马逊退换货政策

AudioQuest Evergreen 立体声电缆,带 4 个 RCA 连接器,0.6 m
AudioQuest EVERGREEN Stereo Cable with 2 RCA Connectors, 0.6 m

4.6 颗星,最多 5 颗星 168 评论
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¥259.59
12期7.5%费率,每月仅 ¥23.31 最高12期,多种分期方式可选 了解更多
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3至12期分期付款
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分期计划 手续费 总金额
¥86.53×3期 ¥0.00 (0.0%) ¥259.59
¥45.22×6期 ¥11.68 (4.5%) ¥271.27
¥23.31×12期 ¥19.47 (7.5%) ¥279.06
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0.6m Single
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提升您的购买力

  • SOLID LONG-GRAIN COPPER CONDUCTORS
  • 泡沫-涤纶密封
  • 电传传导系统
  • 双-铝合金类美术几何
  • 彩色嵌合金 RCA 插头
    • SOLID LONG-GRAIN COPPER CONDUCTORS
    • FOAMED-POLYETHYLENE INSULATION
    • METAL-LAYER NOISE-DISSIPATION SYSTEM
    • DOUBLE-BALANCED ASYMMETRICAL GEOMETRY
    • COLD-WELDED GOLD-PLATED RCA PLUGS

亚马逊海外购

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经常一起购买的商品

  • AudioQuest Evergreen 立体声电缆,带 4 个 RCA 连接器,0.6 m
  • +
  • AudioQuest EVERGREEN 1 M RCA 至 RCA 线
  • +
  • AudioQuest Forest Coax 线缆 0.75 M
总价: ¥792.33
共同购买所选商品

商品描述

EverGreen SOLID LONG-GRAIN COPPER CONDUCTORS (LGC): Solid conductors eliminate strand-interaction distortion. Evergreen's solid Long-Grain Copper allows a smoother and clearer sound than cables using regular OFHC (Oxygen-Free High-Conductivity) copper. OFHC is a general metal industry specification regarding "loss" without any concern for distortion. LGC has fewer oxides within the conducting material, less impurities, less grain boundaries, and definitively better performance. FOAMED-POLYETHYLENE INSULATION: Any solid material adjacent to a conductor is actually part of an imperfect circuit. Wire insulation and circuit board materials all absorb energy (loss). Some of this energy is stored and then released as distortion. Evergreen uses air-filled Foamed-Polyethylene Insulation on both conductors because air absorbs next to no energy and Polyethylene is low-loss and has a benign distortion profile. Thanks to all the air in Foamed-PE, it causes much less of the out-of-focus effect common to other materials. METAL-LAYER NOISE-DISSIPATION SYSTEM (NDS): 100% shield coverage is easy. Preventing captured RF Interference from modulating the equipment's ground reference requires AQ's Noise-Dissipation System. Noise-Dissipation System prevents a significant amount of RFI from reaching the equipment's ground plane. DOUBLE-BALANCED ASYMMETRICAL GEOMETRY: Purpose designed for single-ended applications, Double-Balanced Asymmetrical Geometry offers a relatively lower impedance on the ground for a richer, and more dynamic experience. While many single-ended cable designs use a single path for both the ground and the shield, Double-Balanced designs separate the two for cleaner, quieter performance. COLD-WELDED GOLD-PLATED RCA PLUGS: This plug design allows for a connection devoid of solder, which is a common source of distortion. Because the ground shells are stamped instead of machined, the metal can be chosen for low distortion instead of machinability.

EverGreen 固体长-粒面铜质电解器 (LGC):实心导体消除了绞线互动失真。 与使用常规 OFHC(无氧高电)铜的电缆相比,Evergreen 的纯粒面铜能发出更平滑和更清晰的声音。 OFHC 是关于“损失”的通用金属工业规范,没有任何失真问题。 LGC 在导材料中减少氧化物,减少杂质,细粒度更少,显著提升性能。 泡沫 - 聚乙烯吸收:任何与导体接触的固体材料实际上是非完美的电路的一部分。 导线绝缘和电路板材料均能吸收能量(损耗)。 其中一些能量被存储,然后作为失真而释放。 Evergreen 在两个导体上使用充气泡沫聚乙烯绝缘层,因为空气在没有能量和聚乙烯旁会吸收低损耗且具有较好的失真轮廓。 由于所有 Foamed-PE 空气,会造成其他材料常见的焦点效果少得多。 METAL-LAYER NOISE-DauATION 系统 (NDS):100% 的盾牌覆盖很容易。 防止被捕捉的 RF 干扰调理设备的地面参照需要 AQ 的噪音分散系统。 噪音分散系统可防止大量 RFI 到达设备的地面平面。 双倍 - 双平衡不对称几何在地面上提供相对较低的阻抗,带来更丰富和更动态的体验。 尽管许多单端电缆设计对接地和屏蔽都使用一条路径,但是双平衡设计将两端分开,以获得更清洁、更安静的性能。 彩色嵌合金 RCA 插头:这种插头设计允许连接不用焊接,这是一种常见失真来源。 因为地壳是压印而不是加工的,所以可以选择金属来实现低变形而不是加工性。

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此商品在美国亚马逊上最有用的商品评论

美国亚马逊: 4.0 颗星,最多 5 颗星 67 条评论
Ferglekutt
5.0 颗星,最多 5 颗星 Audible improvement over bargain basement cables.
2019年10月31日 - 已在美国亚马逊上发表
样式: 0.6m Single已确认购买
9 个人发现此评论有用
Bilbo
3.0 颗星,最多 5 颗星 Cost me more, and harder to use on top of it!
2018年7月23日 - 已在美国亚马逊上发表
样式: 0.6m Single已确认购买
5 个人发现此评论有用
ZC
5.0 颗星,最多 5 颗星 Listening stimulus? Check.
2021年3月16日 - 已在美国亚马逊上发表
样式: 0.6m Single已确认购买
买家图像
5.0 颗星,最多 5 颗星 Listening stimulus? Check.
2021年3月15日 在美国审核
I’ll confess: I’ve been fantasizing ... about blowing whatever stimulus check i might get on audio gear. Can’t decide between amp or DAC with my current “A” system. I even thought about going on some audio forum and asking other audiofools their opinions, but i’ll start here. My wife can decide right away though. Saving it (responsible) or traveling. What’s mine is hers after all, though she does leave me to my music. Hence my dilemma ... and this cable.
So in the meantime i clicked on this and patched it in a couple days later. (Nearly) instant gratification! I love what i have, but if you’ve read this far you know how audio folks go. Here’s the BOTTOM LINE: BUY IT, TRY IT if you can spend the money. If you listen to music in a decent system you’ll get your money’s worth. Unless you prefer a “wall of sound.” It does seem to isolate the vocals in the center, and more forward.
I know there’s a lot involved in this pastime, and the subjective/objective debate also inevitably leads to the subjective cost-to-benefit ratio. Subjectively there’s placebo effect. Expectation bias. You know you spent the money, you’re hoping to hear positive differences. So i’m guessing you’re simulated to listen more attentively. “Seek and you will find.” And i found the usual audio-speak stuff. An increase in space around the individual sounds in a recording. An increased ability to place instruments in the soundstage. An increase in perceived naturalness of tone (listening to acoustic instruments now. In fact it’s almost hard to type as my attention is pulled back to the music). Hearing details not heard before. How the sounds in the studio moved in the air.
Really. From a cable. Tweak accomplished. I have one other experience with recent Audioquest products, a 3.5mm to RCA stereo cable, and since i have that as a choice to use, it’s definitely preferred to any other. “Sounds better.” That’s enough. I get good use out of them.
Rated this as four star in value, as i’d really get more of them if they were say, $10 cheaper, and would love to get foot-longs, if they existed, as interconnects (and relatively inexpensive, like the “World’s Best”)
The cable ‘reviewed’ feeds my amp, so it’s the last connection in the chain, except for speaker cable. It’s from a Chi-Fi preamp/tube buffer with GE tubes. That’s another cheap tweak, relatively speaking, i like them and have them where i can. I tried to remove it from my chain, since it sits on top a new Schiit Saga +, which i hoped would do the same things, but have more inputs and remote volume control. But when streaming i can’t push the volume to my upper limits; the streamer doesn’t output as much as say, a Chromecast audio or a Dayton Audio WBA31, but it upsamples to 192 kHz so (placebo effect?) i leave it in. The Saga, in either tube or bypass mode has little to no gain, and i can max my current (and recent) amp’s output. Plenty loud without it via CD player, but i leave it in since i mostly stream for new music.
For the curious, and upgrade opinions welcome, here’s the chain, moving backwards:
Q-Acoustics 3050i speakers
QED XT25 speaker cables
Chi-Fi ICEPower 125ASX2SE amplifier
This Audioquest cable.
FX-Audio preamp w/ GE tubes, set at 11 o’clock
A “World’s Best Cable” interconnect
Schiit saga + preamp, stock tube
Ghent Audio interconnect
FX-Audio SQ-5 DAC (PCM 1794 my favorite of several that i have in this price range for naturalness of tone)
— for CDs: Velocity digital coaxial cable, $13 for the 1.5 ft length
free Magnavox DVD player as transport (has remote)
Or - early 90’s Denon DCD-660 analog out only to the Schiit
— for streaming: QED Reference optical cable w/cheap 3.5 adapter, from a NEXUM TuneBox TB20 to the SQ-5
Or- Audioquest Evergreen mini-jack to RCA stereo cable from a Dayton Audio WBA31 directly into the Schiit, since i have the spare inputs, but it’s not used as much. Mostly to compare the sounds, but A-Bs are a bit much to fuss with.
Upgrade-wise, thinking more powerful Hypex NCore amp, Schiit Bifrost 2? what order? Etc...
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