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Akai Professional(アカイプロ) Pro EWI Solo 风合成器电子管乐器 200 种声音，带内置扬声器

原文

AKAI Professional EWI Solo - Elektronisches Blasinstrument mit eingebautem Lautsprecher, wiederaufladbarer Batterie, 200 Sounds und USB-MIDI Verbindung

页面含机器翻译，中文仅供参考，以原文为准

Akai Professional(アカイプロ)

3 评论

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提升您的购买力

可用作独立或 USB MIDI 控制器 EWI | 内置 200 种优质原声和合成声音，允许您通过 USB-MIDI 连接演奏软件乐器。
多合一便利 | 可充电锂离子电池可播放长达 12 小时。内置扬声器提供自然的声音和播放体验。
必备功能 | 用于显示预设和参数的高可见 OLED 显示屏、1/4 英寸音频输出、1/8 英寸耳机输出和 1/8 英寸 AUX 输入增加。
高可玩性/功能性 | 配备气压传感器和咬合传感器，吹嘴具有出色的响应，可准确控制音量和音高动态。
适合你的演奏风格 | 长笛、双簧管、萨克斯管、EVI（电子阀门乐器）指法模式。此外，它还具有八度滚轮、滑音和弯音板，以增强表现力。
原文
- Standalone elektronisches Blasinstrument und USB-MIDI Controller – Digitales Blasinstrument mit 200 akustischen und Synthesizer-Sounds integriert; USB-MIDI Verbindung für MIDI-Kontrolle
- Unabhängige Mobilität, moderner Komfort - 12+ Stunden Spieldauer mit der wiederaufladbaren Lithium-Ionen-Batterie (Ladeadapter enthalten); eingebauter Lautsprecher mit authentischer Klangreproduktion
- Unverzichtbare Blaswandler-Features - OLED-Display bietet Übersicht über Voreinstellungen und Parameter; 6,3mm Audioausgang, 3,5mm Kopfhörerausgang, 3,5mm Aux-Eingang
- Ihr ganz eigener Sound - Luftdruckpegel - und Kontaktsensoren für exzellente Ansprache und Kontrolle über Lautstärke- und Tonlagendynamiken; dedizierte Kontrollen für Effekte und Bearbeitung
- Spielen Sie auf Ihre Art - Fingersatzmodi für Flöte, Oboe, Saxofon und EVI (Electronic Valve Instrument); Oktavroller, Glide- und Pitch-Bend-Platten für zusätzliche Ausdruckskraft

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产品信息

技术细节

商品尺寸

‎76.5 x 7.62 x 8.23 cm; 2.24 公斤

包装清单

‎EWI Solo, Mouthpiece cover, Li-ION Battery, Neckstrap, Quickstart Guide, Software Download Card, Safety and Warranty Manual, USB Cable

制造商

‎Akai Professional(アカイプロ)

型号

‎EWI SOLO

商品重量

‎2.24 kilograms

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商品描述

实现更好的性能——下一代管乐器合成器 EWI Solo 介绍 EWI Solo，电子管乐器家族的新型号，它是 Akai Professional 的标志。 EWI Solo 将传统原声管乐器的富有表现力的音乐性和可演奏性与可随身携带的便携性结合在一起。适用于所有表演的优质音色内置 200 种开箱即用的音色——精心挑选的音色目录涵盖了广泛的流派，从甜美的合成器垫到成熟的爵士单簧管。我正在准备。内置扬声器让您可以在任何地方播放将您从繁琐的线缆设置中解放出来。 EWI Solo 配备可播放长达 12 小时的可充电锂离子电池，以及再现自然声音的内置扬声器，让您随时随地演奏，不错过任何灵感。高可玩性和功能性安装了 EWI Solo 的气压水平传感器和咬合传感器，吹嘴拥有出色的响应，音量和音高动态得到精确控制，让沉浸式和富有表现力的表演成为可能。将此与专门 FX 控件相结合，以添加混响、延迟和合唱、音高、调音和双 LFO 编辑，以创建您自己的标志性声音。经验丰富的木管乐器和铜管乐器适合您的演奏风格，无需在这里学习任何新东西。 EWI Solo 界面让您只需转动拨盘即可在长笛、双簧管、萨克斯管和 EVI（电子阀门乐器）指法模式之间切换。连接性从练习到现场表演再到录音室录音——EWI Solo 拥有丰富的连接选项。您还可以通过 USB-MIDI 连接播放软件乐器和虚拟合成器，或直接连接到具有 1/4 英寸输出的 PA 系统。此外，配备 1/8 英寸耳机输出，您可以随时单独练习。 EWI Solo 在任何情况下都很灵活。

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默默

就是等待时间漫长，近3个月

2021年12月16日

样式名称: 单品样式: 单品已确认购买

产品是正品，正品说明书都是日文，看不懂啊

3 个人发现此评论有用

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威海刘先生

音色美丽！做工精细！功能强大！适合演奏和自娱自乐！

2021年9月5日

样式名称: 单品样式: 单品已确认购买

我是业余爱好者，刚学习吹电吹管。非常喜欢EWI SOLO 的外形，尤其自带的扬声器，不用连接音箱，方便初学者学习！

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行者无疆

性价比超高

2022年1月9日

样式名称: 单品样式: 单品已确认购买

试用了一下，很喜欢现在的操控及音色，外观再小巧精致点更完美。

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高琥

从前不了解亚马逊，这次购物感觉本公司诚信，价格也低于其它网店，非常好，以后要常光顾哟！

2020年9月5日

样式名称: 单品样式: 单品已确认购买

非常满意的购物，诚信，公平，合理，负责！

1 个人发现此评论有用

2022年3月6日

样式名称: 单品样式: 单品已确认购买

做工精致音色优美！

2021年12月15日

样式名称: 单品样式: 单品已确认购买

很好，很喜欢。

2021年6月16日

样式名称: 单品样式: 单品已确认购买

喜欢

2022年1月25日

样式名称: 单品样式: 单品已确认购买

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此商品在美国亚马逊上最有用的商品评论

美国亚马逊： 48 条评论

Walton Mendelson

Arguably the best of the current electronic wind instruments

2020年10月26日 - 已在美国亚马逊上发表

样式名称: 单品样式: 单品已确认购买

NOTE: The EWI SOLO was introduced August 25, 2020. Most of the reviews here, as of when I posted this note, are for instruments sold well before that date, and are not EWI SOLOs.

There is a difference between early impressions and observations made after much time. However, in the month I have had the EWI SOLO, I’ve practiced over 100+ hours, had four rehearsals and played one gig, and so far I am impressed. If I could apportion stars: 4 for it as a controller (given my style of playing, the mouthpiece is not as responsive as others); 3+ for onboard programs/tones/patches (some are good some are bad; but learning to play some patches takes time, easily more than a month); and 5 for the ability to edit the programs (not as in depth as the VL70-m, better than Roland’s Aerophone Editor).

With regard to the EWI SOLO, my early impressions require some context.

I have been playing Yamaha’s WX5 and WX11 (wind controllers) since they were introduced in the 1990s. Unfortunately due to age, wear and tear, they are dying, and Yamaha stopped making them some years ago. As a backup, I tried Akai’s EWI 5000 in late 2014. It failed within hours: detuning, distorted notes, random programs changing by themselves, notes sustaining when not being played, etc. I had purchased it from Patchman, who had set it up. I assumed it was set up correctly, so, because it uses capacitance switching, I thought it was either me (dry or wet hands, body capacitance, etc.), something environmental (grounding—flooring: concrete, natural/synthetic carpeting, wood, etc.—humidity, temperature, etc.), what I was playing (disjunct vs. conjunct motion, fast vs slow, etc.), or the specific patch. I assumed there was something I could do that would fix the problems. But nothing recommended by Akai or suggestions on forums—Patchman had no suggestions-- i.e. nothing I did, fixed it.

Patchman simply referred me to Akai. Akai replaced it, and the replacement failed in the same way. This time, I had to set it up, so that introduced a new variable. I tried everything I could think of and everything Akai suggested. I kept a journal of what I did, and what might effect things. I tried to work with Akai technical support. In the end, half a year later, Akai had sent me 5 replacement units, and all failed. They said the returned EWIs were fine. Examples of the problems were witnessed, recorded, and in several cases, videod. Despite documented problems both Akai and Patchman maintained the problem was me, “he doesn’t know what he was doing.” Akai claimed the EWI 5000s played perfectly.

In 2019, after quite a few firmware updates and a Bernie Kenerson video which talked about a setting that eliminated random program changes, I bought a new EWI 5000. This was number 7. It failed within hours. Akai was no help. Bernie Kenerson and Ingo Scherzinger of Dynasample.com, tried to help, but nothing eliminated the problems—although, I must commend them for their time, assistance, and expertise.

Three Roland Aerophone AE-10s all failed (detuning, dropped notes, etc.—also recorded). So that’s 10 failures out of 10 instruments. Whereas, I have had 2 WX5s and 4 WX11s, and all have worked for years! (3 died of old age, and 3 I bought used, and they are what I have been performing on for the last few years).

What did these 10 malfunctioning electronic wind instruments have in common? Me and where I live. I do not believe 10 instruments bought over a span of 5 years were coincidentally defective in their manufacture. I do not believe it was me—e.g. I forgot to hit button A or turn off B. If it were something I was doing or not doing, someone should have said what: no one did.

My theory is that altitude (I’m at 5200+ feet) causes or exacerbates design or manufacturing flaws in the EWI 5000 and AE10. The transducer (the device that converts air pressure changes from the mouthpiece to electrical signals) is probably vented (although, I don’t know because I have not seen it, in either instrument, nor has anyone commented about this). The nuances that it responds to (pressure, air speed, embouchure, throat and tongue positions) are remarkable and subtle. I hypothesize that there is a difference between venting at sea level (101kPa) and venting at a mile in altitude (83 kPa), which causes problems with the output signal—perhaps this could be called aliasing.

I still need a either a new backup, or a new instrument to perform with. The EWI SOLO is a redesigned and retooled instrument, which also has new firmware. And that is why I purchased it.

KEYWORK: The key sensitivity is somewhat erratic compared to the EWI 5000. This may be a setting issue (key delay and sensitivity), this particular instrument, or it may be me—120 hours is not much time to develop muscle memory.

The capacitance switching keys and the octave rollers will take time to adjust to. There are key settings that help. Note: Key Delay helps clean up unwanted notes (sloppy fingering) but it can also work against even moderately fast tonguing. The rollers take some practice. I, for one, cannot play accurately without first applying hand cream. Goldbond works well for me; whereas Eucerin, for example, stays slippery too long (it's okay if I put it on an hour before I need to play).

It is fast and easy to be sloppy. You have to be attentive to not accidentally touch keys (mostly the accidental keys--a fitting name!), which will raise or lower the pitch.

MOUTHPIECE: Like all Akai EWIs, the mouthpiece is not as responsive as the WX5 or WX11 (the Roland Aerophone mouthpiece is poorly designed, it pinches the lips, and is not as responsive as the Yamahas—nor does it have pitch up). You can’t lip up/bend a note (some people can use the pitchbend plate effectively this way), but you can give the beginning pitch a little (momentary and small) bend. Keeping the mouthpiece secure between your teeth stabilizes the instrument, assisting in more accurate fingering.

PITCHBEND PLATE: It does not have a pitchbend up plate, as the EWI 5000 does.

PATCHES/SOUNDS: The onboard acoustic instrument patches are, to my ear, not as good as the comparable patches on the Yamaha VL70-m and the DynaSample Xpresso, and are the same as the EWI 5000, but with 100 more synth sounds. However, the other members of one group I play with thought the sounds are “richer.” Bernie Kenerson’s adjustments (for the EWI 5000), available through his website, in conjunction with the EWI SOLO editor are good tweaks, and may be better once/if he has revised them for the EWI SOLO. I’ve been using it both as a controller with both the VL70m and the Xpresso, and as a stand-alone system.

CONTROLS: As for the onboard controls: The various buttons (FX, Global, Programs, etc.) are directly accessible without removing a cover; and the display window with the “encoder” (a dial that also pushes in to confirm settings) is great and, it uses whole words not abbreviations! Breaking the saved programs into 4 banks of 25 makes accessing them much easier.

MIDI CONTROLLER: The EWI SOLO is set up for a USB MIDI connection. It functions well with MIDI 5-pin DIN using a USB MIDI Host (not to be confused with an inexpensive USB MIDI to 5-pin DIN adapter).

DEFAULT: You can reset either the entire instrument to the factory defaults or everything but the favorite banks! This can be done on the instrument or inside the EWI SOLO Editor.

SPEAKER: The speaker is not good; but for some practicing or rehearsals where you can’t be loud, it’s great feature.

CASE: The EWI SOLO will not fit a soprano (or similar) case. An expandable document/drafting/drawing tube, approx. 4 1/4 " X 30-45 (this is the general size listed), makes a good case. Cut up an old yoga mat to line the tube for extra protection. If there is a strap, move the upper connection to the body of the tube, not the lid—if the lid is not secure, it won’t inadvertently come off, flipping the EWI to the ground.

Update: 02.04.21, the instrument is playing as well as it did the first day I got it, no problems.

56 个人发现此评论有用

K. Macleod

Battery must be charged to charge the battery.

2019年1月19日 - 已在美国亚马逊上发表

已确认购买

When I say this is a joke, I mean it literally. To charge the battery, the battery must be charged. That's the kind of thing an electrical engineer would design as a joke, and it is pretty funny.

"No problem!" one might say - "just don't let the battery drain too far, and you can keep it running smoothly!"

I left it plugged in to charge. The charger charged up the battery, and then stopped charging it (That's good. We don't want explosions). After it charged, the unit remained active and drained the battery, but the charging circuit stopped feeding it power (it was, after all, charged).

A reasonable person would get a replacement battery from AKAI. A reasonable person would then be told AKAI does not have any batteries in stock, and they don't know when more batteries will be in stock.

A reasonable person might try to use it as a wired MIDI controller while waiting for the battery. The battery is required to run the EWI5000. Even if you have it plugged into USB to use the MIDI directly, it will not power on... because it doesn't have a battery. Is this joke funny yet?

It is not a standard battery.
You can't take it out and put it on a charger.
You can't order a new battery from anyone.
Once it is drained... you're done.

Some other amusing things about the EWI5000:
- The onboard sounds are hilariously bad - unless you're going for that 1990's sound.
- It doesn't transmit MIDI wirelessly. You need to buy a third party MIDI transmitter to get MIDI data to your computer.
- The "wireless" part of the controller refers to the audio signal. You know... that 90's synth sound? You can get THAT wirelessly. Joy.

Post Script: I knew the onboard sounds would be terrible. They are terrible in EVERY hardware instrument. I was trying to use this as a wireless MIDI controller, so I can hook it up to whatever sounds I want.

Why is AKAI building hardware with built-in sounds?? Just put in some Bluetooth MIDI, and put the sounds on a phone or computer.
Man, that is such a good idea! You could use whatever sounds you want!
You wouldn't have to include an audio receiver in the box to be wireless.
You wouldn't have to power a separate audio transmitting circuit.
You wouldn't have to include an old-style 5-pin midi jack.
You wouldn't have to have a display to change configurations.
Look at the Jamstik or Malletstation to see how it can be done well.

Or buy the Roland wind controller. The Roland controller is more of a toy than a MIDI controller, but it isn't a joke.

60 个人发现此评论有用

Warne Marsh

Can't recharge battery if it goes too low - only runs on battery! :(

2020年4月10日 - 已在美国亚马逊上发表

已确认购买

Really? This is beyond crap - the instrument is fine BUT it only runs on the internal battery which, if it gets too low, will not be able to be recharged at all. This has ruined several live shows for me where the EWI has died on the bandstand - I can't plug it in to play it or charge it on a break and so have to wait a week or more after ordering a new 50$ battery online. Absolute BS - I'm a professional musician - 54 years old so am not just playing music for fun and games. The company should fix this for sure, it's crazy. I've gone through 150$ in batteries now about to order my 4th - I was recording an overdub solo for $ online and it died, now I can't finish the project for a week or more. Lastly - there is NO BATTERY LEVEL MONITOR so you have no idea how low it is at any time, it just stops working and you're screwed until you buy a new one.

16 个人发现此评论有用

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